
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
Poems
Animal Poems (Everyman’s Library Pocket Poets)

An anonymous Anglo-Saxon poet praises the whale. Shakespeare sympathizes with the hunted hare. Marianne Moore tries to catch a jelly-fish. Virgil and Emily Dickinson contemplate Bees. Kipling lulls a baby seal to sleep. From East to West, from ancient times to modern, from Mei Yu Ch’en on swarming mosquitoes to William Cullen Bryant’s solitary waterfowl and Rainer Maria Rilke’s enchanted gazelle, from Auden on cats and dogs to E.E. Cummings’s verse in the shape of a grasshopper to James Merrill’s vision of the octopus, here–selected by John Hollander–are 136 poems that provide exhilarating access to literature’s glorious lyric zoo.
Poems of Mourning (Everyman’s Library Pocket Poets)
The Poem on the Edge of the Word (Studies in Modern Poetry)
The Poetry of Reiner M. Rilke. The Music of Richard G. Strauss

This CD is a compementary unit (one of a few) to the incoming book of the author “Favorite Translations”.
This product is manufactured on demand using CD-R recordable media. Amazon.com’s standard return policy will apply.
Rainer Maria Rilke and Lou Andreas-Salomé: The Correspondence
The complete extant correspondence between a key fin-de-siècle intellectual and one of the most revered poets of the twentieth century.
He would become one of the most important poets of the twentieth century; she was the über-muse of Europe’s turn-of-the-century thinkers and artists. In this never-before-translated collection of letters spanning almost thirty years, the poet Rainer Maria Rilke and Lou Andreas-Salomé, a writer and intellectual fourteen years his senior, pen a relationship that moves from that of lovers to that of mentor and protégé, to that of deepest personal and literary allies. From the time of their first meeting and consequent affair to Rilke’s death in 1926, Rilke and Salomé reeled through extremes of love, pain, annoyance, desire, and needâyet guided each other in one of the most fruitful artistic exchanges in twentieth-century literature. Despite illness, distance, and emotional and psychological pain, they managed to cultivate, through strikingly honest prose, an enduring and indispensable friendship, a decades-long heartfelt dialogue that encompassed love, art, and the imagination.
Rainer Maria Rilke – Poems 1906 To 1926

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
Four poems.: An article from: New Criterion
This digital document is an article from New Criterion, published by Foundation for Cultural Review on March 1, 2001. The length of the article is 505 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.
Citation Details
Title: Four poems.
Author: Rainer Maria von Rilke
Publication: New Criterion (Magazine/Journal)
Date: March 1, 2001
Publisher: Foundation for Cultural Review
Volume: 19 Issue: 7 Page: 33
Distributed by Thomson Gale
Turning-Point : Miscellaneous Poems 1912-1926 (Poetica) (German and English Edition)
First published under the title `An Unofficial Rilke’, Hamburger’s translations have been critically acclaimed for their contribution towards a more complete understanding of one of the major poets of the 20th century.
While Rilke has been perhaps more widely translated into English than any other modern poet, the emphasis has always been on ‘major works’ – the `New Poems’ volumes, `Duino Elegies’ and `Sonnets to Orpheus’. Yet Rilke produced many more poems which had little or no airing beyond the confines of his workshop. Michael Hamburger argues in his perceptive and entertaining introduction that these poems are not inferior to the poems in the collections that form the accepted corpus; rather that they merely failed to fit in with Rilke’s wish to form a definitive statement.
Michael Hamburger was born in Berlin in 1924 and came to Britain in 1933. Among the many authors he has translated from are Hölderlin, Goethe, Paul Celan and Peter Huchel. He is equally acclaimed as one of Britain’s leading poets of the period since World War II. Anvil publishes his `Collected Poems 1941-1994′ and his subsequent collections.
Music of Peter Lieberson (Rilke Songs, The Six Realms, Horn Concerto)

Peter Lieberson’s is certainly one of the most refreshing compositional voices to have entered the repertoire of the world s leading orchestras during the past several decades. Lieberson’s music ranges broadly: his compositions address the listener with a generous variety of character, while his harmonic palette expresses richly developed hues of both tonality and atonality. This CD features premiere recordings of three major works, opening with a setting of five Rilke poems written for the composer’s wife, the much admired mezzo-soprano, Lorraine Hunt Lieberson. Ms. Hunt Lieberson performs alongside one of Peter Lieberson’s most devoted champions, the estimable pianist, Peter Serkin. Their impassioned account of Lieberson’s Rilke Songs was recorded in concert at the Ravinia Festival. The Horn Concerto was composed for horn and a chamber orchestra, and is played by its dedicatee, the horn virtuoso William Purvis. The eighteen minute composition is in two movements that emphasize the lyrical nature of the horn, but also in the composer s words, its feisty, dance-like and humorous side. The largest work on this disc is The Six Realms, a twenty-seven minute cello concerto in six movements, originally composed for Yo Yo Ma. Based on the composer s long standing practice of Tibetan Buddhism, The Six Realms reflect the Buddhist realms, which offer a detailed portrait of human consciousness. The music of this utterly original concerto ranges from sensuously lyrical to humorous, and gives full voice to the cello’s ability to sing long lyric lines throughout its range. The cello soloist is Tchaikovsky Competition prize-winner Michaela Fukacova. Michaela Fukacova plays Poul Ruders: Anima (Cello Cto. No. 2) BRIDGE 9122 William Purvis plays Robert and Clara Schumann: Horn Music BRIDGE 9164 Peter Serkin plays Stefan Wolpe: Piece in 2 Parts, BRIDGE 9043
CHECK PRICE NOW!
Read Full Review >>



